Grady, Kyle. "Racial divides in The Merchant of Venice." Throughlines. www.throughlines.org/suite-content/racial-divides-in-the-merchant-of-venice. [Date accessed].
Racial divides in The Merchant of Venice
A demonstration to students of how early modern attention to race often appears at the margins.
The Merchant of Venice is an ideal play to begin showing students how the early modern English attention to difference plays out in the margins. It is clear in the text that the English sensibility in the early modern era is one already attentive to identities that don’t fit neatly into discreetly constructed categories and one that sees the reinscription of those divides as important to both its domestic organization and to its colonial ambitions. In Shakespeare’s Venice, managing those categories—and how people fit into them—appears especially important for ensuring that its legal, economic, and social systems maintain and reproduce a particular hierarchy, especially in an increasingly intercultural context.
Further learning
Recommended
Critical theories and methods
This class investigates and gauges the value of critical theories and methods focused on race, racism, and racial justice. The aim of this course is to engage meaningfully with scholars, cultural productions, and criticism that draw on critical race studies within their artistic and scholarly work.
Blackness and Shakespeare's sonnets
Shakespeare’s works at large, and early modern literature more broadly, all deal with constructions of race. Shakespeare’s sonnets are especially fruitful for considering how the languages of fairness and darkness are used in nuanced ways to develop particular understandings of race.
