Ndiaye, Noémie. "Race and transnational theater." Throughlines. www.throughlines.org/suite-content/race-and-transnational-theater. [Date accessed].

Race and transnational theater

Unseen networks of texts and racial narratives

Download the transcript
Noémie Ndiaye
The University of Chicago

Early modern racial thinking was shaped not within a single nation but through the constant circulation of stories, performances, and ideas across Europe. From transnational plotlines linking French, Italian, Spanish, and English plays to the spread of racial impersonation techniques in music and theater, these cultural exchanges reveal how racial narratives took shape through a shared artistic ecosystem.

Further learning

Video

Race and early modern performance culture

Early modern European theater, as a widely accessible mass medium, played a major role in shaping and circulating emerging ideas about race. Noémie Ndiaye discusses how some of these racial narratives still shape world today.

Noémie Ndiaye
Activity

Mini exhibition

This assignment engages students in digital research and curation by having them create and analyze their own mini exhibition.

Noémie Ndiaye
Syllabus

Race in early modern drama

This course asks students to read plays and masques from early modern England, Spain, and France to understand how race was crafted through perfomrace and culture.

Noémie Ndiaye

Recommended

Reading list

Transtemporal medieval studies

Refusing disciplinary silos and thinking beyond periodization allows educators to connect the present realities of student's lives to the distant past.

Tarren Andrews
RaceB4Race Highlight

Early modern travel writing and race

By attending to the power of composition, Nedda Mehdizadeh highlights the ways in which teaching composition might empower students to work against and past today’s imperial universalisms.

Nedda Mehdizadeh
RaceB4Race Highlight

The far right's Byzantium

Roland Betancourt analyzes contemporary white supremacist invocations of Byzantium. The alt-right ideas of a New Byzantium share links with premodern narratives of defeat and reconquest.

Roland Betancourt