Shaw, Justin P. "‘A Song of Willow’: Barbary’s Blues and Theft of Happiness in Early Modern England." Throughlines. www.throughlines.org/suite-content/othello-and-barbarys-blues. [Date accessed].
‘A Song of Willow’: Barbary’s Blues and Theft of Happiness in Early Modern England | Watch the full talk
Presented by Justin P. Shaw at Appropriations: A RaceB4Race Symposium in 2020
Justin P. Shaw is interested in how appropriation can mean theft as well as “making something new.” He discusses multiple layers of appropriation in his talk, from Shakespeare’s use of an older play (Giovanni Battista Giraldi Cinthio’s “Un Capitano Moro” written in 1565) as the basis of the plot of Othello, to Desdemona’s “consumption” of Barbary’s song for her own comfort. Using a framework of Black music and the history of appropriation of the Blues to shed light on Desdemona’s memory of Barbary’s song, Shaw asks the question: where is the line between tribute and theft?
Further learning
Recommended
Othello and Othello and Othello
Beginning with the play’s earliest performance, we study Othello from various critical perspectives through close analysis of the play-text and adaptations on film and stage. For several weeks students read the text of the play slowly and closely, paying particular attention to Shakespeare’s use of language, metaphor, genre, and dramatic form.
Racialized genders in the early modern world
Abdulhamit Arvas teaches on the interwoven concepts of race, religion, and gender within early modern Europe. Travel narratives offer insights on how race and religion were gendered, and how gender and sexuality became a mark of racialization.
