Hsy, Jonathan. "Language, race, and Chaucer adaptations." Throughlines. www.throughlines.org/suite-content/language-race-and-chaucer-adaptations. [Date accessed].

Language, race, and Chaucer adaptations

Reading Chaucer's works across languages and cultures

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Jonathan Hsy
George Washington University

Teaching Chaucer alongside modern adaptations invites students to think beyond the medieval English canon. By pairing The Canterbury Tales with works across historical, religious, and cultural traditions, this reading list demonstrates how Chaucer's stories have been reimagined across time and place, raising enduring questions about language, race, identity, and belonging.

This list begins by situating Chaucer within the multilingual world of late medieval England before turning to scholarship on race, vernacular language, and the politics of literary adaptation. Together, they encourage students to see Chaucer not as the endpoint of a literary tradition, but as part of an ongoing global conversation about voice, power, and cultural exchange.

The multilingual contexts for Chaucer

  • Hsy, Jonathan. "Chaucer's Polyglot Dwellings," in Trading Tongues: Merchants, Multilingualism, and Medieval Literature, 17–44. Columbus: Ohio State University Press, 2013.

The social and linguistic contexts of English vernacular writing

  • Lalla, Barbara. Postcolonialisms: Caribbean Rereading of Middle English Discourse. Kingston, Jamaica: University of the West Indies Press, 2008. Read the first section of Chapter 1.

Race and Chaucer adaptations

  • Wallace, David. "New Chaucer Topographies." Studies in the Age of Chaucer 29 (2007): 3–19.
  • Warren, Michelle R. "'The Last Syllable of Modernity': Chaucer in the Caribbean." postmedieval 6 (2015): 79–93.
  • Barrington, Candace, and Jonathan Hsy, dirs. Global Chaucers. Accessed July 30, 2026.
Download this reading list

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Jonathan Hsy traces how a humble 14th-century London dialect became the "standard," and what Chaucer, a Jamaican poet, and a 2025 executive order all reveal about who gets to belong.

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Chaucer's most outspoken pilgrim gets three modern makeovers: an animated film, a spoken-word performance, and a poem staged in a London market. Jonathan Hsy shows how these adaptations open fresh classroom conversations about gender, power, and justice.

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