Wan-Chuan Kao

Washington and Lee University
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The visual literacy of race in Sir Gawain and the Green Knight

The visual literacy of race in Sir Gawain and the Green Knight

In this two-part assignment students practice visual literacy by studying representations of Sir Gawain across time periods and media.

Premodern whiteness and racialization

Premodern whiteness and racialization

What is whiteness—a color, or the absence of one? Wan-Chuan Kao's annotated syllabus builds a full course around that question, with premodern units you can teach on their own or across a whole semester.

The lap of whiteness in The Squire's Tale

The lap of whiteness in The Squire's Tale

In Chaucer's The Squire's Tale, a woman spreads her skirt to catch a falling falcon, all while setting a quiet lesson about whiteness in motion. Wan-Chuan Kao dives into Chaucer's imagery to show how empathy can be a lens for understanding and a tool of racialization.

Piers Plowman and whiteness in Passion plays

Piers Plowman and whiteness in Passion plays

A leather costume worn by an actor playing the crucified Christ offers a new understanding for how medieval drama shaped ideas about race. Wan-Chuan Kao follows the performance tradition of medieval Passion plays into William Langland's Piers Plowman, all while unraveling constructions of whiteness that linger with us today.